Norman Osborn

Faithless

Faithless

Things have not always been as simple as they seem with Faithless (or Trolösa)´s history. The screenplay was written long before the life of Ingmar Bergman, a genius director by everyone’s standards. He is not the one who made that film out; that guess belongs to his former lover and film partner, Liv Ullman, who

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The Penguin

The Penguin

Colin Farrell’s case for an Emmy is quite a stretch – he rather needs even more shelves. The Penguin limited series film being made by HBO is no one’s second impression, the second return of Farrell as Oswald Cobb is limitless in itself. Widely unrecognizable because of the amount of heavies and make-up, Farrell leads

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Here After

Here After

I have always been intrigued by Roger Ebert’s disappointment with voters and his review of the resoundingly unfavored film by Paul Schrader’s Domininion: Prequel to The Exorcist (Hackett imposed an inferior Tom Cruise – starring The Exorcist: The Beginning to appeal for wider audiences). It is rather bizarre to observe someone of such a praised

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Crumb Catcher

Crumb Catcher

People love to hate some characters. For instance, take Amon Göth from Schindler’s list or for that Cal Hockley in Titanic. Others are not so much hated, as they are just so unbearable that one’s animosity towards them makes one’s experience of the movie spoiled, and the list include but is hardly exhausted with Jar

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Reagan

Reagan

Reagan feels like a well-crafted piece, there is a meter cut into the film. It harks back to some of the films produced by the faith based Angel Studios like Sound of Hope, Sound of Freedom, and Sight. These outright feel like having a particular message or purpose to communicate and very seldom do not

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